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Please use this identifier to cite or link to this item: http://hdl.handle.net/10171/505

Title: La conciencia del espectador en la teoría musical de Schopenhauer
Author(s) : Labrada, M.A. (María Antonia)
Issue Date: 1996
Citation: Anuario Filosófico, 1996 (29), 89-105
Abstract: The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits.
URI: http://hdl.handle.net/10171/505
Appears in Collections:REV - AF - 1996, vol. 29, n. 1
DA - FYL- Filosofía - Artículos de revista

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