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Please use this identifier to cite or link to this item:
http://hdl.handle.net/10171/505
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| Title: | La conciencia del espectador en la teoría musical de Schopenhauer |
| Author(s) : | Labrada, M.A. (María Antonia) |
| Issue Date: | 1996 |
| Citation: | Anuario Filosófico, 1996 (29), 89-105 |
| Abstract: | The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits. |
| URI: | http://hdl.handle.net/10171/505 |
| Appears in Collections: | REV - AF - 1996, vol. 29, n. 1 DA - FYL- Filosofía - Artículos de revista
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