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La traición de las imágenes: mecanismos y estrategias retóricas de la falsificación audiovisual
Other Titles: Betrayal of images: mechanisms and rhetorical strategies of audiovisual falsification
Authors: García-Martínez, A.N. (Alberto Nahum)
Keywords: Materias Investigacion::Ciencias Sociales
Materias Investigacion::Comunicación
Issue Date: May-2007
Publisher: Servicio Editorial de la Universidad del País Vasco
ISSN: 1137-1102
Citation: Zer. Revista de Estudios de Comunicación
Abstract
Audiovisual forgery is a filmic practice –which has undergone a certain rise since the mid-1970s– that simulates aesthetic modes and the strategies of discursive construction of the documentary genre. Together with this stylistic appropriation, the fake also proposes a self-reflexive meditation on the limits of representation, the credibility of the image and its potentially lying and manipulative character. This article approaches the phenomenon from a historical perspective in order to then define the reflexive, poetic and rhetorical characteristics that define it.
Permanent link: http://hdl.handle.net/10171/5595
Appears in Collections:DA - Comunicación - Proyectos Periodísticos - Artículos de Revista

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