Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.creator | Planes-Pedreño, J. A. (José Antonio) | - |
| dc.creator | García-Martínez, A.N. (Alberto Nahum) | - |
| dc.date.accessioned | 2024-01-10T12:56:04Z | - |
| dc.date.available | 2024-01-10T12:56:04Z | - |
| dc.date.issued | 2024 | - |
| dc.identifier.citation | Planes-Pedreño, J. A. (José Antonio); García-Martínez, A.N. (Alberto Nahum). "Old wine in new bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)". Communication and Society. 37 (1), 2024, 1 - 19 | es |
| dc.identifier.issn | 2386-7876 | - |
| dc.identifier.uri | https://hdl.handle.net/10171/68254 | - |
| dc.description.abstract | This article explores how the first five years of Netflix Originals dramatic storytelling fit the “Complex TV” label that Mittell defined, with its innovative season-drop delivery strategy. We focus on one narratological device: the delimited flashback, the predominant type of analepsis in the 33 pilot episodes that made up our sample. Although the delimited flashbacks analyzed are semantically diverse, the discussion combines quantitative data with a qualitative analysis focusing on three key elements: the objects and places that trigger the characters’ memories, the contradictory or parallel relationship between timeframes, and the violation of boundaries between narrative layers. | es_ES |
| dc.description.sponsorship | This work was supported by the Universidad de Medellín (categoría de acción COLCIENCIAS). Research project reference: FT-INC-012 “Elementos de Serialización Narrativa en Netflix Originals: Complejidades temporales, personajes y tramas (2013-2018)”. | es_ES |
| dc.language.iso | eng | es_ES |
| dc.publisher | Servicio de Publicaciones de la Universidad de Navarra | es_ES |
| dc.rights | info:eu-repo/semantics/openAccess | es_ES |
| dc.subject | Materias Investigacion::Comunicación | es_ES |
| dc.subject | Flashback | es_ES |
| dc.subject | Netflix | es_ES |
| dc.subject | Narrative | es_ES |
| dc.subject | Narratology | es_ES |
| dc.subject | Television studies | es_ES |
| dc.title | Old wine in new bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017) | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.description.note | Communication & Society is licensed under Creative Commons Attribution-Noncommercial-NoDerivatives 4.0. | es_ES |
| dc.identifier.doi | 10.15581/003.37.1.1-19 | - |
| dadun.citation.endingPage | 19 | es_ES |
| dadun.citation.number | 1 | es_ES |
| dadun.citation.publicationName | Communication and Society | es_ES |
| dadun.citation.startingPage | 1 | es_ES |
| dadun.citation.volume | 37 | es_ES |
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