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dc.creatorGastón-Lorente, L. (Lucía)-
dc.creatorGómez-Baceiredo, B. (Beatriz)-
dc.creatorMartínez-Illán, A. (Antonio)-
dc.date.accessioned2024-01-25T13:16:56Z-
dc.date.available2024-01-25T13:16:56Z-
dc.date.issued2022-
dc.identifier.citationGastón-Lorente, L. (Lucía); Gómez-Baceiredo, B. (Beatriz); Martínez-Illán, A. (Antonio). "How fiction makes amends for journalism: the case of When They See Us". Journal of Communication Inquiry. , 2022,es_ES
dc.identifier.issn0196-8599-
dc.identifier.urihttps://hdl.handle.net/10171/68552-
dc.description.abstractThe miniseries When They See Us constitutes an example of how a based-on-real-events fiction work can add to its poetic role the ability to participate in shaping democracy. Although journalism is not its central issue, this Netflix series makes a representation of the press in which it shows how the media failed in fulfilling its democratic role and tries to make amends for it. By analyzing 21 scenes dedicated to the media from a narrative perspective, this paper shows how the series represents the press’ failure in acting as watchdog during this case. Moreover, it also shows how this representation of the press turns the series into a watchdog itself.es_ES
dc.language.isoenges_ES
dc.publisherSagees_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectMaterias Investigacion::Comunicaciónes_ES
dc.subjectJournalismes_ES
dc.subjectWhen They See Uses_ES
dc.titleHow fiction makes amends for journalism: the case of When They See Uses_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.identifier.doi10.1177/019685992210882-
dadun.citation.publicationNameJournal of Communication Inquiryes_ES

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